Grey-Blue Stoneware Box Duo – Mario Enke Studio Pottery, 2010

Grey-Blue Stoneware Box Duo – Mario Enke Studio Pottery, 2010

€599,00
Sale price  €599,00 Regular price 
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Grey-Blue Stoneware Box Duo – Mario Enke Studio Pottery, 2010

Grey-Blue Stoneware Box Duo – Mario Enke Studio Pottery, 2010

€599,00
Sale price  €599,00 Regular price 

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Studio ceramic box duo by Mario Enke, made in high-fired stoneware with reduction glazes in grey, blue, and mineral tones. The two lidded forms are close in size and shape, but differ in surface character—one with softly shifting blue-grey layers, the other more restrained in muted grey—giving the pair a quiet, balanced presence.

  • Dimensions:
    • Grey / blue box: H 18 cm, Dia. 13 cm
    • Grey box: H 17 cm, Dia. 13 cm
  • Material: Stoneware
  • Designer: Mario Enke
  • Color: Grey, blue-grey, and mineral grey
  • Condition: Excellent condition; no chips, cracks, or restorations
  • Era: 2010
  • Origin: Germany
  • Remarks: Set of two; reduction-fired stoneware

Place the two together on a shelf, console, or low table where the glaze shifts can be seen clearly. Keep the styling minimal and let the surfaces, muted tones, and fitted lids define the composition.

Mario Enke (b. 1948) trained as a master potter in Bürgel (Thuringia), one of Germany’s historically significant ceramic centres, and has maintained an independent studio practice since the mid-1970s. He operated his own workshop in Kienwerder near Potsdam from 1976 to 1993 and has worked since then from Lindaunis in Schleswig-Holstein. Enke has been a member of the International Academy of Ceramics (AIC, Geneva) since 1985 and was associated with professional ceramic education and master training during the 1970s and 1980s. His work has been exhibited in specialist galleries, including a notable solo presentation at Galerie Theis in 1990, and is documented in ceramic archives and authority files relating to German studio pottery. 1991 he became a member of the exclusive and renowned Ceramics Group '83. While never aligned with industrial production or academic formalism, Enke’s oeuvre is well regarded within specialist ceramic circles and appears regularly on the international secondary market.

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