White Bisque Porcelain Vase – Lino Sabattini for Rosenthal, 1980s–1990s

White Bisque Porcelain Vase – Lino Sabattini for Rosenthal, 1980s–1990s

€99,00
Sale price  €99,00 Regular price 
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White Bisque Porcelain Vase – Lino Sabattini for Rosenthal, 1980s–1990s

White Bisque Porcelain Vase – Lino Sabattini for Rosenthal, 1980s–1990s

€99,00
Sale price  €99,00 Regular price 

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A compact porcelain vase that reflects Sabattini’s refined balance of classicism and modern restraint. The gently flared silhouette feels rooted in antique forms, yet the matte white bisque finish and clean outline place it firmly within the elegant, design-led language of Rosenthal Studio-Line in the late 20th century.

  • Dimensions: H 13 cm, W 15 cm, D 11 cm
  • Material: Bisque porcelain
  • Brand: Rosenthal
  • Designer: Lino Sabattini
  • Color: White, matte exterior, glossy interior
  • Era: 1980s–1990s
  • Origin: Germany
  • Condition: Excellent vintage condition; no chips, cracks, or restorations. Light wear consistent with age and use.

This vase has the kind of restrained presence that settles beautifully into a room. The white bisque surface keeps it crisp and airy, while the curved profile adds softness. It works especially well on a bedside table, open shelf, or dining console where you want one clean, thoughtful accent with design pedigree.

Lino Sabattini (1925-2016) was a self-taught Italian silversmith and designer who reshaped postwar metalware with radically pure, sculptural forms—most famously the “Como” coffee/tea service (1956) and later the founding of Sabattini Argenteria near Lake Como (1964). Celebrated internationally (including works in MoMA’s collection) and awarded the Compasso d’Oro (1979) for the “Eskimo” ice bucket, he also carried his minimalist language into Rosenthal Studio-Linie porcelain—especially the bold, pocket-like “Tasca” vases that became modern collector staples.

Rosenthal, founded in 1879 in Selb, Bavaria, is one of Germany’s most important porcelain manufacturers, recognised for combining industrial production with high design standards. With its Studio-Linie programme from the 1960s onwards, Rosenthal invited international artists and designers to create avant-garde forms and décors, making pieces like this set both functional objects and design collectibles.

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