Smoky Green and Amethyst Glass Vase – Tapio Wirkkala for Rosenthal, 1963

A finely balanced Rosenthal glass vase designed by Tapio Wirkkala in 1963. Model 2515 is defined by its softly constricted hourglass form and layered color composition, moving from smoky green into a deep amethyst core with a clearer lower section. The engraved signature confirms its authorship, while the weighted form and polished rim reflect the precision of Rosenthal’s glass production in this period.

• Dimensions: H 23,5 cm, Dia. 11,5 cm
  
• Material: Cased / layered glass
  
• Brand: Rosenthal
  
• Designer: Tapio Wirkkala
  
• Color: Smoky green, amethyst purple, clear
  
• Era: Mid-century modern, 1960s
  
• Origin: Germany
  
• Condition: Very good vintage condition; light surface wear and minor scratches to the rim consistent with age and careful use. No chips, cracks, or restorations.
  
• Remarks: signed “T. Wirkkala” (engraved)

What makes this vase especially strong is the way the color seems suspended inside the glass. The smoky green reads deep and calm, while the amethyst center brings warmth and a more unexpected note. It has that quiet, self-assured presence that suits a carefully edited interior

Tapio Wirkkala (1915–1985) was one of the most important Finnish designers and sculptors of the 20th century and a major figure of post-war Nordic design. His work for Rosenthal – including the iconic crumpled paper bag vases and the geometric Polygon tableware for the Studio Line – uniquely combined Scandinavian minimalism with German porcelain craftsmanship and is still considered a milestone in the Rosenthal portfolio. Beyond Rosenthal, Wirkkala’s multidisciplinary designs in glass, wood, metal and porcelain for Iittala and others, defined Nordic design with their minimalist, functional yet highly expressive character and are now widely recognized as modern design classics in museum collections worldwide.

Rosenthal, founded in 1879 in Selb, Bavaria, is one of Germany’s most important porcelain manufacturers, recognised for combining industrial production with high design standards. With its Studio-Linie programme from the 1960s onwards, Rosenthal invited international artists and designers to create avant-garde forms and décors, making pieces like this set both functional objects and design collectibles.